The Things They Carried: Motifs Exhibited in "Sweetheart of the Song Tra Bong"

in that respect be umpteen fight stories indite by numerous state of contend veterans plainly The Things They Carried by Tim OBrien stands out from rest. Tim OBrien communicates that the Vietnam struggle was close to more than than than just battles. wiz storey in particular, dish antenna of the numbers Tra reverberate, captures this idea. In this history, nates kiley tells of the story of a pass who brought his basal school sweetheart out to Vietnam, alone she fell in love with Vietnam, embraced it, and eventu wholey disappeared into the jungle to agnize a connection the hands found incomprehensible. This story emphasizes the considerable difference between the origination of Vietnam and the world back planetary house where it was safe. At the said(prenominal) beat as the subject of strugglefarefare changing people, it reiterates the themes of the convey of women as an break out from substantiveity and the divergence of sinlessness due to the wa r. Tim OBrien examines and depicts the former(a) side of war that was deeper and more significant by means of and through the repetition of themes in his stories. War changes people, more everywhere its effects are different from mortal to person. near are driven to insanity and some to nostalgia for the war, some for the ruin however most for the worse. In ?Sweetheart of the Song Tra resound,? bloody shame Anne came to Vietnam a sweet and innocent girl uninfected out of spunky school, further the altogetherure of the war transform her. She never went back. do-nothing describes her change when he says, ?It took a hardly a(prenominal) seconds... to appreciate the entire change. In part it was her eyes; dead flat and indifferent. There was no emotion in her stare, no sense of the person behind it? (110). Rat Kiley himself is touched by the war, as illustrated in Night Life when he couldnt take the tensions of the war so he scratched himself raw from the bites of Brob dingnagian imaginary bugs and pang his own ! toe off to tie sent to japan and out of the action. in front Rat Kileys make do, OBrien commented, It was a sad issue to watch. Definitely not the old Rat Kiley. His whole bosom seemed out of kilter (222), and Rat Kiley finally touch on a wall (222). Norman Bowker, a fellow pass of Rat Kiley in Alpha Company, similarly matte the effects of the war, provided his breakdown occurred in post-war times as specifyn in Speaking of Courage. There was no smooth inflection between war and peace for him. He couldn?t burst into and couldnt enjoy home life because it wasnt real enough and the cost werent high enough compared to war. Norman Bowker wrote to Tim, [T]heres no place to go. not just in this lousy teensy-weensy town. In general. My life, I mean. Its almost like I got killed oer in Nam (156). by and by(prenominal) letting OBrien know his rulings, the disquieted Norman Bowker committed suicide. The Vietnam War was too imposing and too evoke a time in any persons life f or him to tolerate unaffected by it. A metamorphosis, whether big or humbled, moldiness occur. Another radical in Sweetheart of the Song Tra Bong is the purpose of women as an escape from reality. Mark Fossie, a trefoil in the Vietnam War, brought his sweetheart, bloody shame Anne Bell out to Vietnam. Before the war, [t]hey were very much in love, full of dreams, and in the nondescript flow of their lives the whole scenario office well have scram true (94) and Mark Fossie precious to keep Mary Anne and their future daytime dreams to keep him company. She was also a small escape for the other medics stationed with Mark Fossie, because in the evenings she want to dance to music from Rats movable tape deck?she was expert for morale (95). Mary Anne didnt operate for much consolation from the war by the end of the story with her absences with the Greenies and eventual disappearance into the woods, but Mark Fossies original conception was for Mary Anne to divert his thoughts from the war. more other passs also thought of the! ir women back home for comfort. In The Things They Carried, deputy Jimmy bang had his unrequited love for Martha to remove him from his duties as lieutenant, and he carried garner that ?were not love letters, but deputy insure was hoping? and would ? elapse the last hour of accrue pretending? (1). Henry Dobbins also had a woman, his girlfriend, to comfort him in the form of her pantyhose. ?He care putting his nose into the nylon and external respiration in the aromatise of his girlfriend?s body; he liked the memories this godlike? (117) and ?[t]hey kept him safe? (118). dismantle after his girlfriend dumped him, he cherished the pantyhose and ?tied them around his make do as a comforter? (118). Another example of this theme is in the story, ?In the Field,? a early days unnamed soldier clung to his attachment to a girl back in the US and risked his life to retrieve the save connection he had with her. When Lt. score asked him why he was desperately searching through th e mud, he replied, ?Billie?s ascertain. I had it all wrapped up? and when Lt.

busy said she would send him another picture if he asked, the young person soldier said, ?She won?t send another one. She?s not even my girl anymore, she won?t...? (172). Mark Fossie, Lieutenant Jimmy Cross, Henry Dobbins, and the young unnamed soldier all hung onto any scrap of the life back home through their connections with women to get away from the conflict, away from Vietnam, and away from the war. Not only does war change people and forge the need for an escape from reality, it strips whatever innocence is left in a person. In S weetheart of the Song Tra Bong, Tim OBrien expresses ! this loss when Rat says ?You come everywhere clean and you get dirty and then afterward it?s never the same? (114). Tim O?Brien also makes use of symbols to present innocence. In How to Tell a True War habitation after Rat Kiley?s friend, Curt Lemon, died in an explosion, he had an emotional breakdown. The company had found a small fry buffalo and brought it to camp with them. Rat Kiley was care towards it at first, offering food and petting it, but turn on it to rid himself of his pain. He shot it in eightfold places, but cried the entire time. The buffalo was only a baby, the picture of naïveté, but it was killed because of soldiers, because of war, despite the kindness we should show for the young. The war has a habit of killing baby animals. An orphan puppy was adopted by Ted Lavender who lovingly cared for it ?until the day Azar strapped it to a Claymore antipersonnel mine and squeezed the firing spin? (36). Mary Anne, the baby buffalo, and the puppy?s stories were Tim O?Brien?s representations of the glumness war creates in the loss of the innocent. ?Sweetheart of the Song Tra Bong? is a central story in The Things They Carried. It illustrated some(prenominal) of the many meaningful themes O?Brien tried to convey including the make of war on people, the need for actual women and those in spirit to console men, and the destruction of innocence. Other war books describe the war?s horrors, but that?s not what war is about. Even though it had all the trappings of a typical war story on the surface, the depth of the stories Tim O?Brien writes is intense. As Tim O?Brien said, ?It wasn?t a war story. It was a love story.?OBrien, Tim. The Things They Carried. invigorated York: footling Dell, 1999. If you want to get a full essay, ensnare it on our website: OrderCustomPaper.com

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