Othello and the Arbiter of Fate

umpire of Fate\nAre plenty puppets of fate, or do they pose lighten will? This is a complex and interesting straits to ponder, especially in the background of works like William Shakespeares Othello, which have a trick and conniving puppeteer. Sometimes it is casual for the reader to believe that Othello is plain a puppet, being thread along, almost mindlessly, by Iagos guile, wit, and malice, as Iago perfectly orchestrates and executes his proposal for Othellos d featurefall. However practised in equivocation, without at least(prenominal) a certain amount, or at least allowance, of free will, Iago would not be fitting to manipulate Othello so easily. player Dave Matthews at one time stated, The world and the public are far to a greater extent wonderful if theres not a puppet master. By large(p) Othello the illusion of the magnate that Iago knows he so desperately longs for, capitalizing on the insecurities that Iago is so acutely certified that he has, Othello is being control with his anxious desires and graciously accept the power to perpetuate his own downfall.\n\nThe lifestyle that Othello is living is out-of-the-way and arguably unnatural. Because of his fur color, he is seen as other(a) in his community. Despite this, Othello has amassed a significant amount of power and status amongst the Venetian soldiers. though he has gained respect imputable to his military prowess, the Venetians are not cover to Othellos race. He is useable soldier, and his use allows him to maintain his by all odds un-Moorish position in the society, however, when he seeks to marry Desdemona, a beautiful, young, upper berth class white woman, his once tolerant community regards him with irresolution and malevolence. He is accused of utilise tricks and magic to seduce Desdemona against her will. He is forced to assert that he has no dark, base, or lustful intentions with her, and even after he and Desdemona refute the claims that her affection was not earned b...