'Suppression in The Yellow Wallpaper'

'In the nineteenth century, women were often suppressed and controlled by their economizes and other men. In The Yellow cover, by Charlotte Perkins Gilman, the narrator is suppress to the point of insanity. Gilman uses symbol when describing the characters, ambit and the cover allowing the reviewer to let the narrators descent into madness as a result of pistillate oppression.\nThe authors description of the ternary main characters allows the reader to better get word what it would be alike(p) to be a female in the late nineteenth century. The narrator and to a fault the main character of The Yellow Wallpaper is a green wife and bring forth who has recently been experiencing signs of stamp and anxiety. basin, her atomic number 101 hubby diagnoses her with temporary awkward depression---a slight hysterical tendency, and prescribes her threesome months of the rest cure. She was hold to the nursery in their rented summer home, and non allowed to write, engage with great deal she wanted to, or see her baby. Anyone in this situation could slow progress toward madness. Her husband John is a proud physician who tells his wife that he only wants what is top hat for her, but he is being genuinely controlling. According to the narrator, He has no constancy with faith, an intense disgust of superstition, and he scoffs openly at whatever talk of things non to be mat and seen and put push down fingers on page85. In essence, John encompasses a superior modestness that makes in challenging for the narrator to castigate and make John understand her tenderness with her room and what she is beholding in the wallpaper. The deuce-ace character Jennie is Johns sister, she is a perfect and yearning housekeeper, and hopes for no better profession PAGE 87. She is symbolic of women in the late 19th century who were satisfy with their domestic roles.\nThe setting in which this spirit level takes place is also imperative to tax the symbolism apply by Gilman. The invoice begi... '